Hjördis Genberg, model student, 1941-1942

Hjördis Genberg modelling in Stockholm, 1943
Hjördis Genberg modelling in Stockholm, 1943. Photos: Holmén, Erik / Nordiska museet

“Well, you have to live,” Hjördis Niven wrote in 1960, “and when I saw Leja (one of two large Nordiska Kompaniet stores in Stockholm) advertising for models, I went along. I was so scared and nervous that I felt as if I was dying. And when I found I’d been accepted, I was not one iota less nervous. In fact I was the opposite!”

The Allas Cinderella story reported that Leja’s head of department chose Hjördis ahead of 54 other would-be fashion models: “The perfect grace innate in her was revealed. The manager’s trained eyes  immediately saw how much could be done with Hjördis, even though she had arrived wearing an old worn coat and a simple dress.”

Hjördis’ success did not fill her with confidence: “On my way out of the elegant premises, I was horrified at what I’d gotten myself into. How could I do such a job? How would I ever be able to fit into such an environment? How could I be so selfish that I could think I could wear clothes in a way that people would want to buy them? I felt that all of their well-groomed salespeople were scoffing at me as I hurried down the stairs.”

“And then it happened. Just as I set foot on the pavement and let out a sigh of relief, I stumbled and fell into the street! They say that pride goes before a fall.”

“The next day I started my new profession as a model, and began a life that would lead me along unimagined paths.”

Hjördis Genberg, 1941
Hjördis Genberg, 1941. Photo: Holmén, Erik / Nordiska museet

In 1941, despite her terror and embarrassment, Hjördis was taken on by the Leja store as a student model. She was promptly sent to Stockholm beauty specialist Åke Stenberg, who was asked: “to take care of the alienated young provincial girl and put some zest into her.”

“I remember a very shy girl, with loose hair and a worn beret, clutching an oilcloth bag under one arm.” he recalled in 1948, showing that it wasn’t just Allas that thought her humble wardrobe worth a mention.

“Her boss, Mrs Stjernström, sent her to me to learn how to apply make-up. I found, to my great surprise, that this really beautiful girl hadn’t got a clue about how pretty she was. She didn’t understand at all how to present herself, and had very little self-confidence.”

“From the first moment, I found that the modelling profession is not as rosy as many girls imagine,” Hjördis wrote. “First of all, there is endless practising, which can finish off anyone who isn’t as strong as a horse. Then, while you’re a student, there are a thousand and one other tasks that you have to help with. So, you always have to give 100%, while remaining neat, tidy and on your best behaviour. It takes a lot of energy.” Allas added that she had to start each day at 6am “with gymnastics”.

Despite exertions such as practicing how to ascend and descend a staircase fifty times or more, while dressed in full regalia, Hjördis found brighter sides to her routine: “My job also included making fashion drawings of existing designs. That was something I loved, and I hoped I could return to it after my finishing my studies.”

“One thing I escaped learning was how to stand and walk properly, as I’ve always had good posture. Also, I didn’t have to slim myself down to be thin enough to display clothing – quite the reverse!”

Life on the bun

Karlbergsvagen, Stockholm
Karlbergsvägen 49, Vasastan. Ann-Marie’s address in late 1941. Photo: Hasselberg, Stefan, Stockholmskallan

“By now, my sister Ann-Marie had also come to Stockholm,” Hjördis wrote. “She had a place as a photography student, and a small salary – I didn’t have one at all in my first month at Leja. We lived together in a small room in Vasastan. It was wonderful to feel free, independent and self-sufficient, but what we felt most of all was hunger.”

We never could afford to eat more than one meal a day, and sometimes not even that. Mostly, we lived on buns, and I can assure you that if you have nothing else to eat you will not get fat on buns. Whenever the opportunity arose we ate like wolves, but it didn’t happen very often, at least not enough to put on weight.”

Ann-Marie Genberg
Hjördis Genberg’s much-loved older sister, Ann-Marie. Photo: Anette Olasson

“My mother and Hjördis were very tight, as they grew up together,” Ann-Marie’s daughter Anette has told me. “They moved to Stockholm at the same time, from the north of Sweden.”

According to Aftonbladet: “Hjördis Genberg was the youngest of a big crowd of kids who grew up in the small Östrand community outside Sundsvall. Reports from her simple home say that Little Hjördis’ appetite was the biggest of all. Her huge appetite became a difficult enemy when she travelled to Stockholm and became a model.” Though perhaps only when she had enough to eat.

Perhaps to protect her health, Hjördis was soon taken in by her manager at Leja, Mrs Gun Stjernström.

The dreaded first show

Eventually, the time came for Hjördis to step out from behind the scenes at Leja:

“The moment I’d dreaded since starting at Leja. My first display. I was terribly nervous, but I knew that the first dress I’d be showing was wonderful, a dream in tulle. It suited me very well, and that reassured me to some degree.”

New Leja model Hjördis Genberg in 1941, before taking make-up advice from Kim Andersson! Photo: Holmén, Erik / Nordiska museet
New Leja model Hjördis Genberg in 1941, before taking make-up advice from Kim Andersson! Photo: Holmén, Erik / Nordiska museet

“The first time she modelled she was terrified,” Åke Stenberg remembered, “and I had to explain to her at least ten times how pretty she was, and that it would surely go well. And it did, among all the models, it was Hjördis who drew the most attention.” However, according to Hjördis, not for all the right reasons:

“I started my walk down the stairs and through the seemingly endless halls. I followed the others’ moves, slowly turning around so that everyone could see the dress from all sides.”

“I looked at the customers’ faces. They looked amused. Some were even laughing. I was beside myself, desperately looking at (fellow model) Kim Andersson, and trying to copy her. It was terrible that I was doing something so wrong, but what was it?”

“I didn’t know what to do and just wanted the ground to open up and swallow me. Then, thank goodness, Mrs. Stjernström came to my rescue. She quickly drew me to the side and corrected something on my attire. And when I discovered what it was, I just wanted to die!”

“The petticoat had got caught up at the back and there I was, hovering around and trying to look like a dream, while virtually naked from behind!” Fortunately that was only one of fourteen outfits that Hjördis had to model that day, and despite her modesty, she passed her first major test with flying colours.

“Once again, I had experienced how short the step is from the sublime to the ridiculous. And that’s probably not a bad lesson. You learn to see things in their correct proportions and it is a great help in life.”

Fear of other models

Kim Söderlund in 1950
Kim Andersson / Söderlund leading a fashion display in 1950. (This is a video screenshot. You’ll need to be in Sweden to view the full video.)

“From early on I felt at ease with the customers. I connected with them, and felt their positivity and friendliness when I showed off the clothes. On the other hand, when I started working I was terribly afraid of the other models. They all seemed so self-assured and superior. They always knew exactly what they were doing, and how they would do it, while by comparison I was hesitant and uncertain.”

“One girl who was a good friend, and helped me from the beginning, was Kim Andersson. She was the top model in Stockholm, and knew the job like the back of her hand. I was more behind than most – the others were almost all city girls, while I came from the northern countryside and couldn’t even apply everyday make-up properly.”

“I’ll never forget watching Kim while she put on her make-up before a show. I was full of wonder and admiration at how skillfully she made herself look so glamorous. I asked if she would show me how to do it. She laughed. ‘I do it because I have to,’ she said. ‘I don’t look like anything unless I make myself up properly.  You, however, don’t need to do anything about your appearance – you are good enough as you are.'”

Kim Andersson, 1947
Stockholm mannequin Kim Andersson, Hjordis Genberg’s biggest modelling influence. Photo: Holmén, Erik / Nordiska museet

Interviewed in 1968, Kim modestly mentioned that in her early days as a model in Stockholm she was “the ugly duckling”.  The reason? “I have this nose…”

If you look at the photo of Kim, taken during her NK days, you can clearly see the influence she had on Hjördis’ look  – probably for the rest of her life.

“Her words were a great encouragement to me,” Hjördis  said. “She taught me a lot of make-up tricks, which I greatly benefited from.”

Allas went slightly further: “Her whole face was transformed, it was as if she had become a totally different woman.”  Very soon her career was also transformed.

A born and bred Stockholm girl, Kim only turned 20 in October 1941. In 1957 she set up a modelling school (‘Kims Stil’) to pass on her experience. It was attended by Hjördis’ nieces Pia and Mia Genberg in 1958.

Next page: Life at Leja, 1942-1943

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